“The opera itself was distinguished by a blazing performance of Puccini’s mercurial diva by Carter Scott. The soprano captured the character’s labile emotionality as few do; there is a certain wildness in the voice and thrilling, pointed use of chest tones…This Floria was one exciting ride, and Scott deserves the attention of major houses.”

Opera News (Mark Thomas Ketterson)


“Tall and handsome, soprano Carter Scott brought exceptional stage presence to the title role, depicting a princess who is very much a performer. With grand gestures and an immense, powerfully focused voice, Scott appeared eager to tackle this role in a bigger house, yet in dynamic shadings – sometimes quite daring – she really exploited the intimacy of the 1,986-seat Bass Hall.”

Opera News (William V. Madison)


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